Articles

• BoutrosRounded
  3 July 2021, by George Kandalaft
  For sale for multi-users, corporation and OEM. Designers: Boutros Fonts/Arlette Boutros BoutrosRounded is a squared modern typeface, with soft rounded corners designed for maximum legibility. It is also suitable for virtually all materials in the communications world of today from headlines to body copy.
• Boutros Sign 2
  26 May 2018, by George Kandalaft
  Prices subject to order details Designers: BoutrosFonts \ Arlette Boutros Boutros Sign is a modern typeface characterised by its geometrical look and high legibility. It is designed for headlines, sub-headings and body text in a wide range of media and it is readable at a small point size. Although applied to a modular structure, the influence of the Naskh style of writing means that the letters are very easy to read. Boutros Sign is a development of the signage font which was designed (…)
• Boutros Advertisers Naskh
  19 April 2010, by George Kandalaft
  Family Pack (one license only): £240.00 Designers: Boutros Fonts / Mourad Boutros, Arlette Boutros The most widely used font for bilingual (Arabic and Latin) signage and way-finding around the world since 1977, for indoor and outdoor signs, airports, hospitals and offices. It was designed in 1977 by Mourad and Arlette Boutros in collaboration with Letraset to work in perfect harmony with Helvetica. The design is based on the classical Naskh script. The addition of linked straight lines (…)
• Decorations
  28 February 2011

  

• Boutros New Farasha
  23 March 2016, by George Kandalaft
  Family Pack (one license only): £260.00 Designer: Boutros Fonts / Arlette Boutros BoutrosNewFarasha is based on the existing BoutrosFarasha typeface, designed in 1988 by Arlette Boutros. The new release incorporates a number of improvements making the best use of today’s technological facilities. BoutrosNewFarasha can be widely used in all segments of the communication world of today by both end users and corporate users. Its 4 weights (Light, Regular, Semi-Bold and Bold) are (…)
• Boutros Shire Type Arabic
  13 October 2012, by George Kandalaft
• BoutrosSharp
  10 July 2021, by George Kandalaft
  For sale for multi-users, corporation and OEM. Designers: Boutros Fonts/Arlette Boutros BoutrosSharp is a squared modern typeface with sharp edges, designed for maximum legibility. It is also suitable for virtually all materials in the communications world of today from headlines to body copy.
• Boutros Hayat
  7 January 2017, by George Kandalaft
  One license only: £90.00 Designers: Boutros Fonts/ Arlette Boutros Boutros Hayat is an exciting new modern display typeface designed for headlines and similar applications in a wide range of media. Characterised by its clean flowing lines and friendly, relaxed design, Boutros Hayat was created and designed by Arlette Boutros. The essentially geometrical structure and distinctive features confer a modern look whilst at the same time respecting Arabic calligraphic and cultural rules. (…)
• Boutros Elegant
  20 June 2017, by George Kandalaft
  One license only: £90.00 Designers: Boutros Fonts/Arlette Boutros Boutros Elegant is a handwriting style, given a touch of elegance by very beautiful letter strokes. The curved terminal lines are inspirational, making the typeface perfect for logotypes, posters and wedding invitations as well as for almost any type of publication. It is suitable for headlines, subtitles and body copy, even at small point sizes. Created and designed by Arlette Boutros, the new typeface has only one (…)
• Boutros Noor
  13 October 2017, by George Kandalaft
  Family Pack: £200.00 Designers: Boutros Fonts/Arlette Boutros Boutros Noor is a modern typeface characterised by its geometrical structure and contrasting sharp and rounded features. Designed by Arlette Boutros, Boutros Noor is suitable for headlines and sub-headings, but it can also be used in body text in a wide range of media, for print and screen. Although the design is based on the geometric Kufic, it borrows calligraphic elements from Naskh, to optimise its readability, (…)