Articles

• Boutros Arabic Script
  13 October 2010, by George Kandalaft

  

• Boutros Daniel
  13 January 2018, by Soulaf Khalifeh
  For sale for multi-users, corporation and OEM. Designers: Boutros Fonts/Arlette Boutros Boutros Daniel is a rounded display typeface. Its geometric structure contrasts nicely with classical Naskh proportions. The rounded terminals add a playful touch and a friendly look. The typeface includes six weights: Ultra Light, Light, Regular, Semi-bold, Bold and Extra Bold.
• Boutros MarcoPolo
  16 October 2016, by George Kandalaft
  Family Pack (one license only): £380.00 Designers: Latin - Eva Masoura; Arabic: BoutrosFonts \ Arlette Boutros The Boutros MarcoPolo range of bilingual typefaces is a modern sans serif collection designed for maximum legibility. The design objective was for the Arabic and Latin to work in harmony with each other in terms of style, weight and legibility and this has been successfully achieved. The space between the characters has been slightly condensed making the new typeface (…)
• BoutrosPlay
  22 May 2021, by George Kandalaft
  Family Pack (one licence only): £150.00 Designer: Boutros Fonts / Arlette Boutros. BoutrosPlay is based on a child freehand calligraphic style that merges features from different classical Arabic scripts to create‭ ‬a unique contemporary display‭, ‬and elegant‭ ‬typeface legible in all sizes‭. ‬BoutrosPlay is a great headline‭, ‬sub-headings and body text. The typeface is available in two weight with a standard character set.
• Tanseek Traditional
  24 March 2010, by George Kandalaft
  Family pack (one license only): £320.00 Designers: Boutros Fonts / Dave Farey, Arlette Boutros, Richard Dawson, Mourad Boutros Tanseek is a modern bilingual typeface designed by two professional groups, each expert in their own field. The Tanseek family was first conceived as an Arabic style of four weights. The next stage was the development of a companion Latin family of fonts, to be visually compatible with the Arabic style, which previously had never been attempted, let alone (…)
• Boutros High
  18 March 2018, by George Kandalaft
  For sale for multi-users, corporation and OEM. Designer: Arlette Boutros Boutros High has elegant looks. It is a tall, condensed and fine modern geometric typeface with rounded edges. It is much narrower than other fonts, which means more characters can fit on a line of type and save space. It certainly makes your text stand out. Boutros High is characterised by tall ascenders and short descenders. Boutros High is suitable for display, not text. It can be used to set larger headlines (…)
• Boutros News H1
  24 May 2016
  Family Pack (one license only): £190.00 Designer: Boutros Fonts Boutros News H1 is a display font designed for headlines, and used by the Saudi newspaper, Al-Jazirah. It is meant to complement Boutros Text, which was designed for body text setting. BoutrosNewsH1 simplifies the calligraphic strokes of Naskh and widens the counters to allow more white space within and between characters. It comes in three weights: regular, bold and extra bold.
• Boutros Runda
  18 September 2019, by George Kandalaft
  For sale for multi-users, corporation and OEM. Designers: Boutros Fonts Boutros Runda is a font family where the Arabic and Latin sets were designed simultaneously by Boutros Fonts in-house designers. We harnessed our experience of working with Latin designers on previous projects and came up with a modern bilingual family of four weights: Light, Regular, Semi-bold and Bold. The name “Runda” was inspired by the font’s rounded terminals. The subtle stroke contrast at the end of the (…)
• Boutros Text
  24 May 2016, by Soulaf Khalifeh
  Family Pack (one license only): £180.00 Designer: Boutros Fonts Boutros Text is a modern adaptation of the classical Naskh script, and it is used by the Saudi newspaper, Al-Jazirah. Boutros Text was meticulously crafted for optimal readability in newspaper body text setting. It simplifies the calligraphic strokes of Naskh and widens the counters to allow more white space within and between characters.
• What’s Your Type?
  22 January 2018, by Soulaf Khalifeh
  Designers often get overwhelmed and confused when they need to choose a suitable typeface for their projects. Even those with a strong typographical background find it hard to narrow down the choice and pinpoint the right font - and it’s not surprising considering the extensive font libraries currently available. As a type foundry, we believe it is our responsibility to inform clients’ decisions when it comes to purchasing fonts - we understand and appreciate the investment you’re making (…)